From Waterworld shades to Klingon knives, preserving our visions of the future — for the actual future — isn’t easy. For GeekWire (and, quite honestly, to satisfy my own curiosity), I went inside the vault of Seattle’s EMP Museum. There, I found the challenges in conserving science-fiction, music and other pop culture artifacts are anything but easy.
My path to meeting EMP Museum Curator Brooks Peck and Collections Manager Melinda Simms was a bit indirect. Over the decades, I’ve collected a small amount of science-fiction memorabilia from films and literature. Not having a proper way to display it, almost all of it was kept packed away and carefully moved, unseen, from home to home.
In mid-2014 while cleaning up my home office, I decided at least someone should see it. Not expecting an answer, I sent an email to a general address for EMP Museum (formerly “Experience Music Project” but now “EMP Museum” since it absorbed the adjacent Science Fiction and Fantasy Museum and Hall of Fame):
Do you ever take donations of items for the collection itself? Specifically, for the science fiction and fantasy part of EMP? And if so, what’s the process for consideration?
I realize it’s also possible that you have so many artifacts already that you don’t accept external donations. These are a number of original movie stills, dating back to 2001: A Space Odyssey, Phantom of the Paradise, Slaughterhouse Five and many more.
Turns out my mini-lobby cards (the actual collectors term) were of interest, even though EMP Museum’s Peck noted they don’t often take donations, mostly due to a lack of storage space. So over the next few months, I cataloged the 51 items, went in to donate them, and turned out to be fascinated about how difficult it is to conserve many “futuristic” props and materials.
A GeekWire column idea was born. I did the interview with Simms and was invited back to the workroom and vault to take the first-ever photos allowed inside, being careful not to photograph any items that were on loan from other collectors (for which photographic rights may not have been granted).
Fun fact: EMP Museum, like Seattle Art Museum and others, relies on private collectors to flesh out many an exhibition. Why? It could be that Seattle-area museums are newer and thus have thinner permanent collections. It could be that a philanthropic habit of donating to museums vs. keeping for personal use hasn’t yet become a Seattle collector mindset. That’s perhaps another column.
Meantime, enjoy both a look inside EMP Museum’s vault and an understanding of some of the conservation issues by reading, “Preserving the future: A rare glimpse inside the EMP Museum vault,” at Geekwire.